Nina Sky’s New Song Is Proof They’ve Only Gotten Cooler Since 2004

The pop duo open up about how they've changed over the years.
|

There was a time when all you heard on Top 40 radio was "Move Ya Body." It stood out, too. Unlike the saccharine earworms that dominated the radio waves in 2004 from the likes of Ashlee Simpson and JoJo, this song ushered a movement, where dancehall and tropical sounds reigned (think Kevin Lyttle's "Turn Me On"). Nina Sky became the solution to whitewashed pop music we desperately needed.

Open Image Modal
Nicole and Natalie Albino in New York City.
Johnny Nunez

Nicole and Natalie Albino of Nina Sky are Puerto Rican-born identical twins who were raised in New York City (Queens, to be exact) and both identify as queer. But don't let that limit your perspective of them. Their identities certainly matter, but their fluidity (and unabashed confidence) seethe through everything they touch. They're role models for all women in the music industry without even overtly trying to be.

The Huffington Post recently caught up with them over fries and drinks to talk about their new single, "Champion Lover" (via Tommy Boy), the pinnacle of reggaeton, NYC Pride, and so much more.

Can you tell me more about your newest single, "Champion Lover?"

Natalie: When we got into the studio, we knew we wanted to create something fun. Nicole had recorded this chorus and I had written a verse. We brought it into the studio and had the producers re-create the beat. We wanted a tropical vibe.

Nicole: It was just a playful love song that I wrote about my wife. It was just me being cute to her.  

How would you describe Nina Sky 2004 vs. 2016? Do you think that, nowadays, it is generally easier [for you] than in 2004-2006?

Nicole: I think we are more comfortable in our skin than in 2004. We were more self-conscious about the pressures of being signed to labels and the pressures of other people involved in telling us who we should be and the image we should project.

Natalie: We were signed to two different labels in 2004. We just had so many different hands in what we were doing. We weren’t empowered as women. Now, we’re able to experiment.

Nicole: I think that pressure always exists. I just think you have to be comfortable saying, “This is who I am.” If I put out honest work, people are going to embrace it. We look at someone like Frank Ocean when he put out his music and then he said, "Hey, I’m gay" … That was so powerful. In 2004, I couldn’t do that because of the pressures and the way they thought that Latinas should look and hold themselves. It’s always hard. It says a lot about someone who has the courage to be themselves. When you are your most honest self, it is the most effortlessly cool thing you can do. And people will respond to that. 

Open Image Modal
Nina Sky visits MTV's 'TRL' on July 14, 2004 at MTV Studios, Times Square in New York City.
Theo Wargo

I know the single is being released in tandem with NYC Pride and Pride month. What is your relationship with Pride? What are you most excited about?

Nicole: Pride is excitement, good vibes. Some of the most exciting events we do are Pride events. It’s pure fun and celebration. Some events you do, people are “too cool” to get into it.

Natalie: You are just surrounded by love. There’s no bad energy.

In the wake of Orlando, I don’t think as many celebrities are talking about it as much as they should and I’m wondering what you think about that.

Nicole: When we are talking about outside of the community, people are still afraid that if they stand with the community then they will be “labeled.” And that fucking sucks. I think that has to do with it. Instead of talking about the biggest terrorist attack on America, they will stay silent on it. I’m sure their heart hurts as much as everyone else’s, but I think there’s this fear of being labeled.

Natalie: I think some people are truly devastated and they also don’t know what to say. We even had a hard time knowing what to say. But, I want to do whatever I can -- hug people, call my Congress people. All of it!

Going back to music, what are your thoughts on reggaeton and tropical genres and how they've evolved over the years? Even Drake’s new album tries to emulate tropical sounds. It has become such a mainstream thing.

Natalie: I think tropical vibes always come back in the summer. [It's] the music you want to hear drinking a drink…There’s always this resurgence when it starts getting warmer, there’s this comeback [that combines] reggaeton, tropical vibes, reggae and dancehall.

Nicole: I think when you talk about someone like Drake doing a song like  “Controlla” or “One Dance” [compared to] 2004 when we came out ... a lot of artists that were doing music had to be put in a box. It just feels like now people are more open to different artists collaborating and different artists working in genres that they wouldn’t necessarily work in. People are embracing messing with genres.

My favorite single off the 2009 Major Lazer album "Guns Don't Kill People... Lazers Do" is "Keep It Goin' Louder," featuring you guys. Can you talk more about the song and music video for that?

Natalie: We shot two music videos for that. They did another one that was just animation and I don’t think they were satisfied with it. Then we did another with Tim & Eric [which was the chosen version]. It was so cool.

Nicole: We didn’t know what it was going to be. We went into a room that was all green screen.

Natalie: We saw the girls dancing. We thought, “Oh this is going to great!” When the video came out, they looked nothing like they did in real life. [The song] came together because a DJ hit up Nicole and said, “Oh, Diplo is working on a project. He wants to get in with you guys and work on some music." We got in and we wrote a few different versions of this song -- like five different versions -- and a totally different beat. He told us he was going to sit with it and work on it. When we got it back, it was completely different. He reorganized the music. We were so amazed by the way he works. Ricky Blaze had laid vocals on a different track and he incorporated that into the song, too.

What was it like working with Diplo?

Natalie: … Just the fact that he was able to create a song with all these different parts.

Nicole: We gave him all these different melodies and he combined it all into a song. You can see why he’s working with Beyoncé now.

Natalie: He’s really that talented. He has a really good ear. He’s so professional. We would work with him again. It’s always a pleasure to work with him.

Is there anyone that would be your dream collaborator?

Nicole: Our dream duo is Outkast.

Natalie: Maybe the 18- or 19-year-old in us is, like, Timbaland .... even now! We loved him from Aaliyah days and then Nelly Furtado and Justin Timberlake -- that whole era. He’s just had so many eras. I want to be part of whatever is next for Timbaland.

Nicole: What about Missy [Elliott], Nat?!

Natalie: I was going to go there!

Nicole: Missy is incredible. We did a show with her and her energy is unmatched. We did it about four or five years ago. But it still stands out. You don’t see people perform like that onstage.

OK, can you tell us more about the new album?

Nicole: Last summer, we decided we wanted to write and record. We booked out a bunch of different studios in New York and ended up recording a full project. It’s called “Brightest Gold.” Since then, we’ve recorded more songs. It’s kind of morphing into another project. It’s R&B-based. There’s a song called “Bang Bang” that Natalie wrote that’s just pure drum and bass vibes.

Natalie: There’s another song “Breaking the Habit.” Nicole actually co-produced that song.

Nicole: We flipped “Nice and Slow” by Usher, which we recorded with Electric Bodega.

Natalie: When we recorded “Champion Lover,” the more we heard it, we knew it was a single. Now we want everything to fit with that.

So, you guys are twins. Can you tell me about any "crazy" twin moments?

Natalie: I feel like when you have a twin, you have a constant friend. You have this connection with another person. It’s crazy. It’s like a permanent best friend. We have this other sense. One time, I got really sick [in college] and Nicole called out of nowhere and knew there was something wrong. She called crying while I was in the hospital and she said she just ‘had a feeling.’

Nicole: It’s like we’re one. We say that all the time. Something hit me that day and knew I had to call. I got so emotional because I wasn’t with her to support her and be there for her … Everyone has a significant other, but having a twin is so much deeper.

Nina Sky's new single, "Champion Lover" is available now on iTunes

 

Our 2024 Coverage Needs You

As Americans head to the polls in 2024, the very future of our country is at stake. At HuffPost, we believe that a free press is critical to creating well-informed voters. That's why our journalism is free for everyone, even though other newsrooms retreat behind expensive paywalls.

Our journalists will continue to cover the twists and turns during this historic presidential election. With your help, we'll bring you hard-hitting investigations, well-researched analysis and timely takes you can't find elsewhere. Reporting in this current political climate is a responsibility we do not take lightly, and we thank you for your support.

to keep our news free for all.

Support HuffPost

Before You Go

11 Musicians Prince Has Impacted Over The Years
Beyoncé on performing with Prince at the 46th Annual Grammy Awards(01 of11)
Open Image Modal
"That night with Prince, I was just in a trance. I don't remember anything after I walked through the smoke onstage. I was definitely Sasha Fierce that night, completely free." (Giant magazine) (credit:TIMOTHY A. CLARY via Getty Images)
Miguel on the Prince comparisons he's gotten from music critics(02 of11)
Open Image Modal
"Man how does anyone compare to Prince, really? There’s so many layers to his artistry, you know what I mean? Writer, virtuoso and genius, really, when it comes to him being a musician… It’s cool for people to pick parts of him that they see in me because he is one of my hugest influences. I think it’s cool that you see it if you do, but I would never compare myself to him." (BET.com) (credit:Kevin Winter via Getty Images)
Janelle Monae on her admiration of Prince as a mentor(03 of11)
Open Image Modal
“Prince is a mentor, a friend and a musical hero of mine and he still is. Growing up, I always admired how he handled the business and gave other artists an opportunity to shine, and when he puts his stamp on someone it’s a special thing. He’s been in the industry for a really long time, he’s smart, and he’s constantly reinventing himself. I just hope when I reach that many years in the game I can still be as passionate as he and as giving to new artists as he is.” (Essence) (credit:Prince Williams via Getty Images)
Usher on how Prince influenced his music(04 of11)
Open Image Modal
"You had artists like Prince who kind of created the standard for what R&B slow classics was, and there were songs like 'Adore You,' that was a staple. And even to this day, every album, I always create a record just like that, because that, to me, represents R&B history.

He exemplifies the true sense of R&B, not only in the way he sings but also in the emotion. There's something about the falsetto that I think women go crazy over. If you're able to hit that high, high note, they go crazy." (ABC News)
(credit:Imeh Akpanudosen via Getty Images)
The Weeknd on Prince's musical influence on his career(05 of11)
Open Image Modal
“Prince was always just pushing the envelope. Michael was doing that too, but he wasn’t as experimental. Prince turned experimental music into pop music. ‘When Doves Cry,’ the whole 'Purple Rain' soundtrack -- he was inspired by the Cocteau Twins and new wave pop and brought it into R&B when he first started, and then it became this cool, next-level, kind of hard-to-digest music. Which is what I felt 'House of Balloons' was. Image, lyrics, content, storytelling, cohesive body of work: That's Prince to me.” (Pitchfork) (credit:NBC via Getty Images)
André 3000 on how he discovered Prince(06 of11)
Open Image Modal
“I discovered Prince before [Jimi] Hendrix, which is crazy, because when you research Hendrix, you realize how much Prince was influenced by him... Prince can do these funk jams, then these rock jams, then these beautiful ballads, then he can do these kind of piano songs -- this is just about music. It’s not about, 'I’m this type of artist and that’s all I can do.' He showed me early on, whatever you’re into, do it. Whatever you can do, do it." (Vogue) (credit:Tim Mosenfelder via Getty Images)
D’Angelo on the first time he heard Prince's music(07 of11)
Open Image Modal
“I was five years old. ‘I Wanna Be Your Lover’ had come out, and it was a big hit. When that album came out, it was just huge. He really, literally, was the talk of the town. Everybody was wondering, ‘Who is this guy? Is he a guy? Is it a girl?’ No one really knew who it was. I remember we had the album, and my brothers were just enamored by this guy. They told me, ‘He plays everything, he writes everything, he’s singing everything,’ so I was hooked from then on. I learned how to play every song on that album, note for note, at five years old.” (OkayPlayer) (credit:Mark Metcalfe via Getty Images)
Justin Timberlake on Prince's artistry(08 of11)
Open Image Modal
“Prince, to me, is the ultimate artist. The thing that I love about Prince is he really makes his own rules, and I think that in creating something like music, you really shouldn’t have any rules.” (The Arizona Republic) (credit:Taylor Hill via Getty Images)
Cee-Lo Green on Prince inspiring his 2005 song, “Sign of the Times”(09 of11)
Open Image Modal
"You can’t help but reference it and make the association that I’m so like Prince, in my own personal opinion, in so many ways. I don’t mind that association. But no, it wasn’t directly or deliberately built off of his song. Quite frankly, more people should go back and listen to that and discover Prince for themselves, because right now, years later, that song is vintage. A lot of people don’t know Prince, who he was and what he did, what he contributed. He definitely inspired me a great deal." (Radio.com) (credit:David A. Smith via Getty Images)
Jimmy Jam and Terry Lewis on working with Prince and defining the 'Minneapolis sound'(10 of11)
Open Image Modal
Jimmy Jam: “Prince really recorded differently than everybody else. He kind of wrote his own rules, but still, being in sessions with him also teaches you things to do that are a little out of the box. He called it 'visual records.' You always wanna make the record so that it takes people to a place, that they imagine a place."

Terry Lewis: "The 'Minneapolis sound' to me is the sound that Prince created. It's the sound that defines Minneapolis. All of us were influenced by the same music during that period of time, whether it be Sly Stone or whatever was happening in that era we were growing up. So we all have a lot of the same influences, James Brown, you know, that's all part of it. We got locked up in a cold city and there was nothing else to do but to play." (ASCAP)
(credit:Rick Diamond via Getty Images)
Sheila E. on how Prince personally influenced her(11 of11)
Open Image Modal
"I think we influenced each other. I influenced him the same way he influenced me. When he came back to the Bay Area, I introduced him to my family, and he got to see me play with my family, with my dad, and play Latin jazz music, and he’d never heard it before. He was like, ‘This is just crazy. This is amazing.’ He loved it. We mentored each other, if you want to look at it that way. That’s the good thing about Prince: you can see how he was influenced by the people around him. I can hear and see it, because I got to live the influence that I had on him as well as the influence he had on me -- just being around each other, being able to record all the time and play, and do things that he had never done using live percussion instruments and recording all the time." (TIME) (credit:Vince Bucci via Getty Images)