'The Devil And The Deep Blue Sea' Is A True Timberlake Family Affair

A pregnant Jessica Biel stars in the film, and JT created the soundtrack.
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Justin Timberlake and Jessica Biel attend the 2016 Tribeca Film Festival after party for "The Devil And The Deep Blue Sea" on April 14, 2016 in New York City.
Ilya S. Savenok via Getty Images

Eight years ago, Jessica Biel and director Bill Purple, alongside his wife and Biel's producing partner, Michelle Purple, began discussing the possibility of shooting their first feature-length film together. The script for "The Devil and the Deep Blue Sea" stood out. It was raw, honest and brought a bit of humor to an emotional story about grief. Now, after years of pre-production, the movie is finished and part of the Tribeca Film Festival's outstanding lineup. 

The film focuses on Henry (Jason Sudeikis), an architect who becomes fixated on helping homeless teen Millie (Maisie Williams) build a boat to sail across the Atlantic after the tragic death of his pregnant wife Penny (Jessica Biel). It deals with two people's journeys through despair and how their connection to heartbreak brings them together more than they expected. 

"We had a couple of other projects that we were trying to get going and then we found this and were all on the same page," Purple told The Huffington Post at the movie's Tribeca press day. "We were like, ‘This is a great story, it’s lovely, we should get this made.'" 

Thing was, they didn't realize how long it would take to get the indie film off the ground. "Literally, when we initially started this project, Maisie was 10," Biel joked, referring to the now 19-year-old United Kingdom native. 

They went through a few iterations of the script before finally nailing down a shooting schedule. Although they had been working with a handful of younger actresses to fill the role of Millie, those talents moved on by the time they were ready to shoot. "Someone would have shown interest, but then they grew up and it took so long to get this going," Biel explained. Purple added, "There were all these amazing actors who helped us along the way, but when we had an opportunity to do it, Maisie seemed like the right person."

As for Sudeikis, Purple knew he wanted the actor from the get-go.

"Jason was my initial thought when I read the script. I don’t know why, but it was some gut instinct," the director, who has also worked on "New Girl" and "Fresh Off the Boat," explained. "He was still on 'Saturday Night Live' at the time and he started making some films and I said, ‘There’s something about him, I just have a feeling.'"

"I was very, very moved by the story and then very flattered to be considered," Sudeikis told HuffPost. "I knew Jess a little bit through Justin [Timberlake], who I met at 'SNL,' and I remember her and I having a conversation and being like, ‘Why me?’ I certainly hadn’t played [a variation of] parts in my life on camera at that point, so for someone to sniff that out was as thoughtful and creative as I could have asked for."

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Jason Sudeikis and Maisie Williams in "The Devil and the Deep Blue Sea."
Tribeca

The "perfect alignment of the stars," as Purple referred to it, included Biel's husband Justin Timberlake, who scored the movie

"It was his first time doing music for a film and it was something that he responded to," Biel said. 

"He loved the story immediately and approached us saying, 'What are you thinking for music? I’d love to do it.' And then when it became real we said, ‘All right, let’s do this,' and he dove into it," Purple chimed in. "It was exciting and scary for him to try and do something different musically, and I think he’s as proud as I am with what he did."

So, all in all -- considering Biel was very pregnant with the couple's son Silas at the time of the shoot -- the film was a Timberlake family affair. 

"Totally," Biel said, while Sudeikis and Williams later told HuffPost that they felt like "the outsiders" since the Timberlakes and the Purples were married couples and best friends. 

"And, I was like 4,000 miles from home," Williams said of shooting the project in New Orleans with people she'd never met before. "I travel on my own to go do 'Game of Thrones,' and I’ve traveled alone to do that since I was 16, but going to America on my own was a lot different. I guess I really didn’t think about it too much until I was out there. But in New Orleans, everyone was like your mom and everyone was looking out for me."

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Taylor Hill via Getty Images

Williams knows she plays a lot of "homeless runaways," you know, with her career-making role as the independently fierce assassin Arya Stark in "Game of Thrones" and her role as Millie in this project. But, for her, what's always the most important is finding a story that presents authentic characters.

"If you find someone who’s writing real people who make honest decisions, then that’s what it’s about really, when choosing roles, in my opinion," she told HuffPost. "I'm not snobby about what I’m working on or what the budget is or who the audience is. If I fully believe the characters and the script, and if I can get immersed in it from the get-go, it’s something that really intrigues me."

When HuffPost asked Sudeikis what he thought of working opposite Arya Williams, he admitted to one major faux-pas. 

"I had never seen ['Game of Thrones']," he revealed. "By the time I knew Maisie was going to be in the movie, I purposefully stayed away from watching it. For no other reason than to get to know her in the real time of making the movie."

That decision made for a great on-screen collaboration, and some very touching scenes. For all the actors, this project was an emotional roller coaster of sorts. 

"It was very close to home," Biel said of acting out the death of a pregnant mother while expecting her first child. "These ideas of just having to leave your life because something happens and you have all this hope and you’re just beginning."

Although the pregnancy storyline was in and out of the film multiple times, Purple said he fought to keep it since it added to the overall theme. (Biel's real-life pregnancy just ended up working in their favor.)

"We got to this point where it was like, if you want to lose everything, he’s got to lose everything," Purple said of Sudeikis' character. And the "Race" actor really took all of that to heart, since he knows how it feels to truly be in love and be a parent. (He's engaged to fellow actress Olivia Wilde and they have a son, Otis.)

"Going through those experiences in real life -- being with the love of my life and having a child -- and then imagining that and other elements of tragedy was difficult, but I think that all happens for a reason," he said. "We had to wait until Maisie was old enough so we didn’t have to hire a tutor and we had to wait until I was deeply in love and had my little boy [to do this film]." 

"The Devil and the Deep Blue Sea" is now playing at the Tribeca Film Festival

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Before You Go

Tribeca Film Festival 2016 Preview
"The First Monday in May"(01 of24)
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In "Page One: Inside the New York Times" and "Ivory Tower," Andrew Rossi adeptly blended media scrutiny and socioeconomic analysis. In "The First Monday in May," Rossi turns his lens to the glitzy crowd that attends the yearly Met Gala. The documentary -- Tribeca's opening-night selection -- zeroes in on the creation of 2015's China-themed exhibit, with footage from the A-list party that accompanied it. Yes, darling, there will be Anna Wintour sightings. (credit:Tribeca)
"Roots"(02 of24)
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Thirty-nine years after "Roots" shattered television records, the History Channel is rebooting the epic miniseries in an eight-part event that lends a "contemporary perspective" to Alex Haley's 1976 novel. Malachi Kirby plays Kunta Kinte, with Emayatzy Corinealdi, Laurence Fishburne, Matthew Goode, Anna Paquin, Mekhi Phifer, Anika Noni Rose, Jonathan Rhys Meyers and T.I. rounding out the ensemble. (credit:Tribeca)
"The Ticket"(03 of24)
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Dan Stevens devastated "Downton Abbey" fans when he departed after the show's third season. He's been searching, rather fruitlessly, for his big-screen breakthrough ever since. Ido Fluk's "The Ticket" may be his, well, ticket. Stevens portrays a blind man who awakens to restored sight. He shares the screen with Malin Åkerman and Oliver Platt. (credit:Tribeca)
"King Cobra"(04 of24)
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Multi-hyphenate busybody James Franco turns his attention, once again, to gay sex. But this venture is far more intriguing than, say, "Interior. Leather Bar." or the still-unreleased "I Am Michael." The Franco-produced "King Cobra" chronicles Sean Paul Lockhart (Garrett Clayton), better known as Brent Corrigan, the successful porn star who was sucked into a multi-layered scandal that resulted in the murder of an adult-film producer (Christian Slater). Justin Kelly's steamy movie also stars Keegan Allen, Alicia Silverstone and Molly Ringwald. (credit:Tribeca)
"Elvis & Nixon"(05 of24)
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If the premise of "Elvis & Nixon" weren't already enough to intrigue any hound dog out there, the casting would surely do it. Michael Shannon plays Elvis Presley during his famous 1970 meeting with Richard Nixon, brought to life by Kevin Spacey, who hasn't spent nearly enough time portraying devious presidents. The movie, directed by Liza Johnson ("Hateship, Loveship"), opens theatrically on April 22. (credit:Tribeca)
"Strike a Pose"(06 of24)
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Madonna's Blond Ambition Tour is one of the most celebrated pop roadshows of all time. It earned its own documentary in the form of 1991's revealing "Truth or Dare," which presents Madonna as mother hen to her brigade of backup dancers. "Strike a Pose" revisits the group 25 years later. Ester Gould and Reijer Zwaan's graceful portrait isn't always sunny, though. The men have batted a level of addiction, death and dejection that betrays the joyous vogueing that once lent them a semblance of fame. (credit:Tribeca)
"Pelé: Birth of a Legend"(07 of24)
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I've never heard of Pelé, but my HuffPost sports colleagues tell me he's the most famous soccer player in history. Who knew? Enough people to inspire Jeff and Michael Zimbalist's biopic, apparently. The movie chronicles the athlete's journey from the slums of Brazil to the winner's corner at the World Cup. Pelé himself will appear at Tribeca's April 23 premiere, ahead of the movie's May 8 theatrical release. (credit:Tribeca)
"The Devil and the Deep Blue Sea"(08 of24)
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Maisie Williams has some experience playing runaways. See, obviously: "Game of Thrones," whose sixth season premieres days after Williams' first major big-screen role bows at Tribeca. In "Fresh Off the Boat" and "New Girl" director Bill Purple's "The Devil and the Deep Blue Sea," she plays a homeless teen who befriends an introverted widow (Jason Sudeikis). Together, they build a raft so she can sail across the Atlantic Ocean. No sword-fighting to see here, we assume, but you will find Jessica Biel, Mary Steenburgen, Paul Reiser and Orlando Jones in supporting parts. (credit:Tribeca)
"Do Not Resist"(09 of24)
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Police brutality is a tough subject for anyone's debut film, but Craig Atkinson doesn't shy away in "Do Not Resist." From Ferguson onward, the documentary probes the rapid rise in law-enforcement militarization. (credit:Tribeca)
"Always Shine"(10 of24)
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The scorned-woman psychodrama is one of cinema's great traditions. In her second movie, director Sophia Takal carries the torch lit by Roman Polanski ("Repulsion"), Ingmar Bergman ("Persona") and Brian de Palma ("Sisters"). But "Always Shine" has a distinctly feminine vantage, showcasing two young actresses (Mackenzie Davis and Caitlin FitzGerald) whose friendship unravels as their competitive resentments ferment during a weekend getaway. (credit:Tribeca)
"Bad Rap"(11 of24)
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In Salima Koroma's debut documentary, four aspiring Asian-American rappers struggle to overcome racial hurdles in their pursuit to break into an industry that treats them as outsiders. (credit:Tribeca)
"Custody"(12 of24)
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The lives of three New York women intersect in family court when a single mother (Catalina Sandino Moreno) faces off with an unstable judge (Viola Davis) and an ambitious lawyer (Hayden Panettiere) in an effort to secure custody of her son. The movie marks the first non-musical that Tony-winning director James Lapine ("Into the Woods," "Passion") has done since the 1999 HBO movie "Earthly Possessions." (credit:Tribeca)
"Haveababy"(13 of24)
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Renowned Las Vegas fertility doctor Geoffrey Sher runs a yearly contest to grant an underprivileged family the shot at in vitro fertilization. Amanda Micheli turns the endeavor into a sensitive documentary, chronicling winning and losing couples as they navigate what comes next. (credit:Tribeca)
"Women Who Kill"(14 of24)
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Brooklynite Ingrid Jungermann stays close to home for her feature-film debut about two ex-girlfriends (Jungermann and Ann Carr) who host a podcast about serial killers and come to suspect one of them has begun carousing with a dangerous lady. For a movie without name stars, "Women Who Kill" is generating a heap of buzz. (credit:Tribeca)
"Little Boxes"(15 of24)
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If you're a "Black-ish" disciple (as you should be), "Little Boxes" will whet your appetite. In "A Birder's Guide to Everything" director Rob Meyer's second feature, a biracial Brooklyn sixth-grader (Armani Jackson) moves to Washington, where he and his intellectual parents (Melanie Lynskey and Nelsan Ellis) question whether they should act "more black" to fit in. (credit:Tribeca)
"LoveTrue"(16 of24)
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Using three dysfunctional relationships, "Bombay Beach" director Alma Har'el canvasses the notion of "true love" in a documentary that blurs the line between fiction and reality. Produced by Shia LaBeouf, who describes Har'el's technique as "psychodrama," "LoveTrue" boasts a Flying Lotus score that amplifies its hypnotic lyricism. (credit:Tribeca)
"Dean"(17 of24)
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Making his directorial debut, Demetri Martin headlines this melancholic comedy about a lonely illustrator contending with several losses (his relationship, his mother, his childhood home). Leave it to Gillian Jacobs to cheer him up, though: The "Love" actress plays a new crush who draws him out of his shell during an impromptu trip to Los Angeles. If that "Garden State'-esque premise doesn't do it for you, make way for a supporting cast that includes Kevin Kline (playing Martin's father), Mary Steenburgen and "Veep" star Reid Scott. (credit:Tribeca)
"Mr. Church"(18 of24)
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Eddie Murphy hasn't appeared on the big screen since 2012's "A Thousand Words," a dud that resulted in one of the four Razzie nominations he's earned since his Oscar nod for "Dreamgirls." It's time for Murphy to mount his comeback, which is why our fingers are crossed for "Mr. Church," the new drama about a cook who is hired to care for an 11-year-old girl (who grows up to be "Tomorrowland" star Britt Robertson). The movie is the latest from "Driving Miss Daisy" and "Double Jeopardy" director Bruce Beresford. (credit:Tribeca)
"Check It"(19 of24)
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Dana Flor and Toby Oppenheimer's documentary explores the titular gang of queer Washington, D.C. youth who fight back against the oppression and violence they've faced. The filmmakers needed $60,000 to release the film, and they secured it via an Indiegogo campaign that will now bring this community's street-savvy endurance to the big screen. (credit:Tribeca)
"My Scientology Movie"(20 of24)
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Surely no summary is needed to pique your interest in a documentary with the word "Scientology" in the title. BBC journalist Louis Theroux stokes the church's ire when he enters the Los Angeles headquarters to investigate its behind-the-scenes happenings. Aided by ex-members illuminating Scientology's complexities, Dower realizes the organization is investigating him at the same time. (credit:Tribeca)
"Greenleaf"(21 of24)
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Oprah Winfrey has a recurring role in this drama series about a Memphis megachurch run by a manipulative preacher (Keith David) riddled with family drama. Created by "Six Feet Under" and "Lost" writer Craig Wright, "Greenleaf" premieres on OWN in June. (credit:Tribeca)
"Obit"(22 of24)
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Obituary writers traffic in the macabre, but Vanessa Gould's charming documentary about the New York Times' scribes proves they are far more than their downbeat reputations imply. The movie follows the daily lives of several obit writers as they celebrate and mourn their contributions to history. (credit:Tribeca)
"The Phenom"(23 of24)
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Noah Buschel ("Glass Chin") turns major-league sports into a psychological study in "The Phenom," a drama about a rookie pitcher (Johnny Simmons) whose unfocused performance on the mound leads him to an unconventional therapist (Paul Giamatti) and his tough ex-con of a father (Ethan Hawke). (credit:Tribeca)
"Night School"(24 of24)
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In a diagnosis of America's low-income disadvantages, "Night School" follows three adults in impoverished Indiana neighborhoods as they attempt to earn their diplomas. (credit:Tribeca)