What Went Into 'Swiss Army Man'? Daniel Radcliffe's Corpse, Farting Marathons And 'Turn Down For What'

Co-starring Paul Dano, the surreal movie opens nationwide this weekend.
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A24

"Swiss Army Man" begins with a suicide attempt that's salvaged by a dead body. Paul Dano plays Hank, a sullen loner marooned on an island where a corpse (Daniel Radcliffe) washes ashore. Said corpse, Hank learns, talks and carries a supernatural ability to guide him home, specifically through the use of his erect penis and decomposing (read: farting) remains. Alongside his new pal, whom he names Manny, Hank rediscovers the will to live, and "Swiss Amy Man" becomes the most philosophical movie ever made about flatulence. 

Following a lucrative limited release in New York and Los Angeles last weekend, "Swiss Army Man" expands to almost 700 screens nationwide on Friday. Inspired by a fart joke and peppered with homages to things like "Jurassic Park" and "Cotton-Eyed Joe," the movie has the potential to be one of the year's most notable -- or at least strangest -- independent projects. Here's what went into making it. 

Maybe you've heard it referred to as the "farting corpse movie."

When "Swiss Army Man" premiered at the Sundance Film Festival in January, the press in attendance made note of two things: Paul Dano was propelled across the ocean on the back of Daniel Radcliffe's farting corpse, and a slew of people walked out of the movie. Already one of Sundance's most-anticipated titles, the divided responses only bolstered its momentum. I was at the premiere screening, which started half an hour late because officials had to control the crowd of hundreds that were turned away after the festival's largest theater filled to capacity. No one knew exactly what to expect from the movie, assuming it would be a "Cast Away"-style survival tale, or at least something ... normal. To be part of that naïve audience was exhilarating. By the time its bizarre 95 minutes came to an end, the room was stunned. Throughout the rest of the fest, chatter spanned an effusive "What was that?" to a bitter "Fuck that." A24 snatched up distribution rights in what was reportedly a heated bidding contest

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A24

You've probably seen at least one thing the directors have done.

Before writing and directing "Swiss Army Man," frequent collaborators Daniel Scheinert and Daniel Kwan, collectively known as The Daniels, made the trippy video for DJ Snake and Lil Jon's 2013 hit "Turn Down for What." Watch it and "Swiss Army Man" back to back and you'll see The Daniels have an affinity for boner humor. In "Turn Down for What," they treat testosterone as a laughable force that leads to uncontrollable destruction (and/or massive parties). In "Swiss Army Man," Manny's pecker is the compass that guides Hank home. 

The Daniels have directed videos for Passion Pit, The Shins, Foster the People and Manchester Orchestra, whose Andy Hull and Robert McDowell composed the galvanizing score for "Swiss Army Man." The Daniels have also helmed episodes of the Adult Swim comedies "NTSF:SD:SUV" and "Childrens Hospital," as well as several short films that you can watch on Vimeo. They made off with one of Sundance's directing prizes this year. 

So what's it take to get Harry Potter and the silent kid from "Little Miss Sunshine" to do a movie about boners, farts and suicide?

All it takes is a logline, apparently. When I asked Radcliffe and Dano this week about how the movie was pitched to them, they said it was that simple. Radcliffe recalled the hook as something to the effect of “a lonely, suicidal man is saved by his discovery of a dead body" -- which is, sure, a pretty apt description of the movie. "It definitely pitched that it was a two-hander and one of the hands was dead," he said. (Watching Radcliffe act lifeless is a croaky, glassy-eyed, limber marvel.)

But Dano liked the angle he received better, and I'm inclined to agree. "They wanted to make a film where the first fart makes you laugh and the last fart makes you cry," he said. "With that, I was in. That’s ambition."

They shot exclusively outdoors in California last summer. Dano had to lug Radcliffe around on his back, hoist him up hills and ride him across the ocean like a jet ski. I asked whether it was an arduous shoot, and the actors gave an emphatic, simultaneous affirmative. 

"I mainly got carried, so it was pretty good," Radcliffe joked, to which Dano replied, "You got dragged and thrown! Your guy goes through a lot. And also the amount we were doing every day, and the speed at which we worked, and the energy at which we worked, not only us in the scenes, but the whole crew."

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A24

After this, it's time for the "what will Harry Potter do next?" narrative to dwindle.

Radcliffe has been exceptionally generous about the understandable flood of "Harry Potter" questions he has received since the film franchise ended in 2011. (With the play "Harry Potter and the Cursed Child" and the movie "Fantastic Beasts and Where to Find Them" on the horizon, there's a whole new layer of wizarding things to ask about.) And Radcliffe has done a remarkable job of diversifying his post-Hogwarts résumé, even if he'll always be known as The Boy Who Lived. But if playing Allen Ginsberg in "Kill Your Darlings," a supernaturally horned widower in "Horns," a dog walker in "Trainwreck" and a magic-aspiring villain in "Now You See Me 2" aren't enough to separate him from his wand-carrying days, the eccentric nature of "Swiss Army Man" should. 

"It’s interesting, someone did say to me, 'Did you choose this because it’s so different from Potter?'" Radcliffe said. "Yeah, but it’s also different from everything I’ve ever done. Some people want every career decision I make to be in some way a comment on my relationship to Potter, but you’re not in control of what gets sent to you, so when you read something original and you love it, that's that. And I’m in a position that I can do things that I want to do and I don’t have to do things for other reasons, so for as long as I’m in that position, I’m going to make hay while the sun shines."

For his latest trick, Radcliffe had to wait until seeing the finished product to learn what his fictional farts sound like. The movie's sound guys asked members of the cast and crew to record their farts, which were then blended with artificial effects, like in elementary school when you squeezed your hands together and blew into them. You can read all about the process in this Village Voice interview. I asked if Radcliffe thought to ask for a fart-approval clause in his contract: "No, but I should have, just to say that I had that at some point. When else am I going to need it?"

It may not be the type of movie you take home to Mom, but the profundity of "Swiss Army Man" is surprising.

Radcliffe has no qualms showing the movie to his "weird" parents, literary agents who used to be actors themselves. People often ask whether he was "embarrassed" to perform the play "Equus," a theological character study in which he appeared nude, in front of his folks, when in fact they "encouraged" him to take the role. "They're artsy, I guess," he said.

Dano, on the other hand, is far more cautious, calling his parents "super old-school." Lucky for him, they'll just be enamored because it features their son. "If we took me out of it, I obviously don’t know how it would play," Dano said. And by now, they're used to seeing him portray misfits struggling to find their way. Dano made a name for himself by doing just that in "L.I.E.," "Little Miss Sunshine," "Being Flynn," "Ruby Sparks," "Prisoners" and "Love & Mercy." 

I don't want to spoil the movie's thematic punch, but the zany comedy of "Swiss Army Man" morphs into a poignant statement about learning to appreciate life. Hank is a suicidal recluse who has lost all hope -- until Manny's childlike questions about the world force Hank to realize how much beauty surrounds them. Some viewers may be frustrated by the magical realism, which makes the film more surreal than sensible, but look beyond the scatological bro-gags and you'll find a missive about companionship, self-acceptance and wonderment. 

"There’s something intrinsically wonderful about the image of 'If you just come into the world knowing nothing about it and with no emotional baggage, it’s a fascinating and wonderful place,' which is sort of what Manny discovers," Radcliffe said. Manny uses that discovery to teach Hank how to "live again and love again." 

Dano agreed. "It’s largely about being yourself, in a way," he said.

"Swiss Army Man" is now in theaters.

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Before You Go

Hottest Sundance 2016 Movies
"Little Men"(01 of14)
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Directed by Ira Sachs • Written by Ira Sachs and Mauricio Zacharias
Starring Greg Kinnear, Theo Taplitz, Michael Barbieri, Jennifer Ehle, Paulina García and Talia Balsam

Five of Ira Sachs' six feature films have premiered at Sundance, including grand jury prize winner "Forty Shades of Blue" and the beloved "Love is Strange." An adept surveyor of the quiet facets of relationships, Sachs has turned his attention to two 13-year-old boys who find kinship while their parents reconcile a Brooklyn rent dispute. "Little Men" is a sweet digest on young friendship and the pliable paths life takes us down.
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"The Birth of a Nation"(02 of14)
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Written and directed by Nate Parker
Starring Nat Parker, Armie Hamer, Aja Naomi King, Penelope Ann Miller, Aunjanue Ellis, Jackie Earle Haley and Gabrielle Union

After "The Birth of a Nation" earned three standing ovations at its premiere, Fox Searchlight paid $17.5 million -- the heftiest deal in Sundance history -- to secure distribution rights. It's not cynical to assume the ongoing conversations surrounding diversity in Hollywood bolstered the movie's reception. But that's not to take away from the stirring passion of Nate Parker's debut feature, which brings Nat Turner's 1831 slave rebellion to the big screen for the first time.
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"Manchester by the Sea"(03 of14)
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Written and directed by Kenneth Lonergan
Starring Casey Affleck, Michelle Williams, Kyle Chandler, Lucas Hedges, Gretchen Mol and Tate Donovan


"Manchester by the Sea" is the best movie this year's Sundance gave us, and Amazon took note via a $10 million price tag. Kenneth Lonergan's directorial follow-up to "You Can Count On Me" and "Margaret" is a display of grief and endurance, charting a reserved Boston handyman (Casey Affleck) caring for his nephew (Lucas Hedges, destined to be a star) after his brother (Kyle Chandler) dies. Lonergan has an eye for the quiet complexities of inner turmoil, but he also knows how to pepper his movies with the right splash of humor. You'll walk away from this movie feeling like you just witnessed a beautiful meditation. But what you really won't forget is Michelle Williams' bravura performance as Affleck's charged wife.
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"Weiner"(04 of14)
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Directed by Josh Kriegman and Elyse Steinberg

When the inevitable documentary detailing how the hell Donald Trump became an ascendant presidential candidate premieres at Sundance circa 2018, we'll hopefully say how much it reminds us of "Weiner." Josh Kriegman and Elyse Steinberg first began chronicling Anthony Weiner's 2013 mayoral campaign in hopes of capturing a comeback story. Instead, they ran into another sexting scandal and a fiery defeat. The results are fascinating.
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"Kiki"(05 of14)
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Directed by Sara Jordeno

Twenty-five years ago, "Paris is Burning" scorched Sundance, winning one of the festival's grand jury prizes. "Kiki" revisits the queer voguing scene now that gay rights are no longer a subversive notion. For all its spunk, Sara Jordeno's documentary reminds us that no equality law ensures ostracized youth don't wind up destitute. The ones in "Kiki," at least, have battled their woes by way of the dance communities they call home. The movie is an ode to their resilience.
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"Christine" and "Kate Plays Christine"(06 of14)
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"Christine" directed by Antonio Campos • Written by Craig Shilowich
Starring Rebecca Hall, Michael C. Hall, Tracy Letts, J. Smith-Cameron, Timothy Simons and Maria Dizzia

"Kate Plays Christine" directed by Robert Greene

For a meta double feature, try Antonio Campos' drama, "Christine," and Robert Greene's docudrama, "Kate Plays Christine." Both revolve around Christine Chubbuck, the Florida news reporter who shot herself on live TV in 1974 and has remained a media mystery ever since. Rebecca Hall is remarkably complex as Chubbock in "Christine," while "Kate Plays Christine" chronicles Kate Lyn Sheil ("House of Cards," "Listen Up Philip") researching Chubbuck for an upcoming role.
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"Southside With You"(07 of14)
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Written and directed by Richard Tanne
Starring Parker Sawyers, Tika Sumpter and Vanessa Bell Calloway


Knowing Barack Obama and Michelle Robinson's first date ended prosperously doesn't distract from the sweetness of "Southside With You." Nor does the fact that Richard Tanne made a movie about a sitting president with distinct, often parodied mannerisms, yet still made the future Obamas' "Before Sunrise"-esque meeting feel like a story worth telling. This snapshot of the world's most famous couple, and the things they may have discussed when they went to see "Do the Right Thing" in 1989, is rendered all the more beguiling thanks to Parker Sawyers and Tika Sumpter's performances.
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"Captain Fantastic"(08 of14)
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Written and directed by Matt Ross
Starring Viggo Mortensen, George MacKay, Samantha Isler, Kathryn Hahn, Frank Langella, Ann Dowd and Steve Zahn

That "Captain Fantastic" photo looks like quintessential offbeat Sundance fare. But Matt Ross' film is far more grounded than Viggo Mortensen's vermilion suit implies. Mortensen plays a bohemian father raising his six whip-smart kids in the woodlands of the Pacific Northwest, until circumstances require the clan to reassimilate with society. The sweet humor and world-weary awe of "Captain Fantastic" earned a standing ovation at its premiere.
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"Sing Street"(09 of14)
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Written and directed by John Carney
Starring Ferdia Walsh-Peelo, Lucy Boynton, Jack Reynor, Aidan Gillen and Maria Doyle Kennedy


"Once" and "Begin Again" director John Carney made another toe-tapping gem in "Sing Street," his latest musical about people forming a band. This time, a 15-year-old boy revs up his musical aspirations to impress a girl. Set in 1985, "Sing Street" is the Duran Duran devotion you always wanted to have stuck in your head.
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"Norman Lear: Just Another Version of You"(10 of14)
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Directed by Heidi Ewing and Rachel Grady

There's an old saying that to become a legend one must become the subject of a rote documentary. Or there should be, at least. Thankfully, Norman Lear earned his legend card long ago, and Heidi Ewing and Rachel Grady's movie is far from rote. Instead, it's a stirring portrait of the childhood and career of TV's most influential sitcom master. "Just Another Version of You" will open theatrically in June, before premiering on PBS and Netflix this fall.
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"Under the Shadow"(11 of14)
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Written and directed by Babak Anvari
Starring Narges Rashidi, Avin Manshadi, Bobby Naderi, Ray Haratian and Arash Marandi

Festivalgoers instantly declared "Under the Shadow" this year's "The Babadook." The debut feature from writer/director Babak Anvari, this 1980s-set Iranian horror flick curdles around a mother and daughter coping with a war-torn country and a home invaded by supernatural evil. "Shadow" is one of several Sundance movies that Netflix snatched up, including the Ellen Page/Allison Janney two-hander "Tallulah" and the Paul Rudd vehicle "The Fundamentals of Caring." XYZ Films and Vertical Entertainment will also release the movie theatrically and across other digital platforms.
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"Love & Friendship"(12 of14)
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Written and directed by Whit Stillman
Starring Kate Beckinsale, Xavier Samuel, Chloë Sevigny, Stephen Fry, Emma Greenwell and Morfydd Clark


"Love & Friendship" scored a coveted Saturday night Sundance premiere -- a strange choice for a festival not known for lush period pieces. In Whit Stillman's hands, the adaptation of Jane Austen's lesser-known Lady Susan feels entirely modern. Reuniting his "Last Days of Disco" co-stars, Kate Beckinsale and Chloë Sevigny, Stillman has made a biting brunch confection about a widow seeking suitable marriages for herself and her daughter. "Love & Friendship" will air on Amazon later this year, with a theatrical release also planned via Roadside Attractions.
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"Morris from America"(13 of14)
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Written and directed by Chad Hartigan
Starring Markees Christmas, Craig Robinson, Carla Juri and Lina Keller


"Morris from America" made off with two Sundance prizes and a distribution deal courtesy of A24, the indie powerhouse du jour. One of those accolades went to Craig Robinson, who gives a career-best performance as a widowed soccer coach raising his aspiring-rapper son (Markees Christmas, a delight) in Germany. The other went to Chad Hartigan, who wrote a charming coming-of-age script about discovering your own tempo when everything seems alien.
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"Swiss Army Man"(14 of14)
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Written and directed by Dan Kwan and Daniel Scheinert
Starring Paul Dano, Daniel Radcliffe and Mary Elizabeth Winstead


If you've heard buzz about any Sundance movie other than "Birth of a Nation," it was probably "Swiss Army Man." You know, that's the one with Daniel Radcliffe as a farting corpse who helps a cuckoo Paul Dano find his way home. It's "Cast Away" for the smartphone era, perhaps as though Michel Gondry had rebooted "Weekend at Bernie's" with a little Hitchcock for added flavor. Some thought it was wild and inventive, others thought it was wild and insufferable. Find out for yourself when A24 releases "Swiss Army Man" this summer. The filmmakers, who go by The Daniels, won Sundance's directing prize, and there's no denying that Dano and Radcliffe commit to these bizarre roles -- and appear to have had a blast while doing it.
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